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c. 1445 – May 17, 1510. Italian painter.

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Leon Bakst
in the ballet Afternoon of a Faun 1912

ID: 93382

Leon Bakst in the ballet Afternoon of a Faun 1912
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Leon Bakst in the ballet Afternoon of a Faun 1912


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Leon Bakst

Russian Art Deco Designer and Illustrator, 1866-1924  Related Paintings of Leon Bakst :. | Portrait of Zinaida Hippius | Porjet de costume pour une odalisque de ballet shenerazade,crayon aquarelle et peinture doree (mk32) | Model | Terror Antiquus (mk19) | in the ballet Afternoon of a Faun 1912 |
Related Artists:
Master Theodoric
Bohemian painter active 1350-70 in Prague
Reinhold Begas
1831-1911 Berlin,was a German sculptor. Begas was born in Berlin to the painter Karl Begas. He received his early education (1846-1851) studying under Christian Daniel Rauch and Ludwig Wilhelm Wichmann. During a period of study in Italy, from 1856 to 1858, he was influenced by Arnold Bocklin and Franz Lenbach in the direction of a naturalistic style in sculpture. This tendency was marked in the group Borussia, executed for the facade of the exchange in Berlin, which first brought him into general notice. In 1861 Begas was appointed professor at the art school at Weimar, but retained the appointment only a few months. That he was chosen, after competition, to execute the statue of Schiller for the Gendarmenmarkt in Berlin, was a high tribute to the fame he had already acquired; and the result, one of the finest statues in the German metropolis, entirely justified his selection. Since the year 1870, Begas dominated the plastic art in the Kingdom of Prussia, but especially in Berlin. Among his chief works during this period are the colossal statue of Borussia for the Hall of Glory; the Neptune fountain in bronze on the Schlossplatz; the statue of Alexander von Humboldt, all in Berlin; the sarcophagus of Emperor Frederick III in the mausoleum of the Church of Peace at Potsdam
William Hodges
English Painter, 1744-1797 English painter. He first attended classes at William Shipley's Academy in the Strand, London, and from 1758 to 1765 was apprenticed to Richard Wilson (about whom he published a short biographical essay in 1790). Hodges followed Wilson's classical landscape style periodically throughout his career.






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